In the midst of the desert and the Middle Atlas Mountains lie the towns of Ouarzazate and Ait Benhaddou – movie capitals of Morocco! Ouarzazate, historically a trading town, became a French garrison in the 1920’s. When the French left, a studio business built up there based on films set in Tibet, ancient Rome, Somalia and Egypt.
Nearby Ait Benhaddou is the real setting for these films. It’s an Almoravid caravansary from the 11th century that’s protected by UNESCO, so it looks pretty much like it did then, 1000 years ago – mud houses perched on a hill with lots of narrow streets and overlooks.
A wacky variety of movies have been made here, including:
- Lawrence of Arabia
- Jesus of Nazareth
- The Jewel of the Nile
- Gladiator
- Game of Thrones
- Sex and the City II
We walk around, get hot and take some pictures, but, no movie stars around today!
The bus gets to Marrakech mid-afternoon on Saturday. The sun is hot, but there are snow-capped mountains in the background – amazing! We can’t get to the hotel because it’s on one of the windy souk lanes, so we grab our gear, throw the suitcases into a couple of big pushcarts and start walking. The lanes are eight feet wide and mostly covered with mesh screens to cut the sun. They’re lined with shops and packed with traffic, and here we’re dodging to avoid motorcycles and bicycles, not donkeys, so the stakes are higher. After 15 minutes of rights and lefts there’s a small explosion – one of the tires of a luggage cart has blown – so a couple of us grab suitcases and the guys helping have to push much harder. And then, we get to the hotel. It seems lovely from the alley, and I have visions of a bed and a quick shower. But, alas, they’ve made a mistake with the booking and there’s no room for us. We stand, sweating, for fifteen minutes as alternate arrangements are somehow fashioned, then set off again with camera bags, backpacks, tripods and the luggage carts. Another fifteen minutes of wandering brings us to the Riad Moulay Said.
This Riad is a hoot. It’s huge, with three floors of rooms overlooking a large swimming pool. The ones on our floor, the lowest, have entryways studded with low couches and many beds. The rooms get smaller as the floors go up, with the top one seemingly a place for backpackers. The floors are nice tile, the walls are tile or painted plaster with stucco trim, and the ceilings are decorated. But the place is unfinished and dirty. In our bathroom, the toilet seat is unattached and the shower stall is covered with contact paper from the manufacturer. The lobby is dark and dirty, unvacuumed and undusted for weeks. But for the next two days, this is home. And, it’s only a ten-minute walk from The Square.
The name means “Assembly of the Dead” for its original use in the 11th century – public executions. Now, the hot with the direct, blinding sun of the Mediterranean, it’s packed with tourists and locals in search of carnival. At a quick glance I see snake charmers (with pythons and other sorts of live snakes,) a dentist with a card table studded with a huge pile of teeth offering extractions and replacement crowns, rows and rows of food stalls (these are set up every day and are famed to offer fresh food from the area, but I see one with snails laid out in midafternoon heat for dinner hours later,) whirling dancers, water-carriers and the usual assortment of shoe, t-shirt and hat vendors. Overlaying it all and defining the senses are drummers who beat a never-ending tattoo. I want to climb out of my skin.
There is finally some loosening of the clothing patterns here. Although most of the mothers are covered completely as in Fez and the mountains, the teen girls wear tight jeans and shirts and coordinating hijabs. According to Rashid, our guide, the practice of covering is fast losing popularity with teens in the country. So far, no Al Quada in sight!
Palace Bahia
In Marrakech is a 20-acre home built 160 years ago for Morocco’s Grand Vizier (Prime Minister.) It’s lovely, large and airy, Andalusian design, with tile floors, stucco walls and decorated cedar ceilings
and windows, every room unique. Three waiting rooms for people who would come with their problems – two for Moslems decorated with Koranic verses and one for Jews decorated with motifs in the Star of David.
Most interesting were some comments from our guide, Mustafa:
- The Grand Vizier had four wives and 24 concubines. There were over forty children.
- The children stayed with their mothers, but played together as one family and were all treated the same no matter who their mother was
- At five, the boys stop going to the women’s hammams (baths), and at nine they leave the mothers rooms completely and live with the other boys in a madras.
- The girls were married at 14
- Parties were given often in the Palace. For formal parties, women watched from their barred windows; for family parties, everyone attended. Musicians who played regularly were blinded so they could not see the women (and so they could be more focused on their music, theoretically.)
- The French occupied the palace during their stay, adding fireplaces and chimneys which weren’t used but which were normal to them.
- When the French came in, they banned the regular Friday public beheadings in 1912. They also banned slavery, taking several years to accomplish because of the economic consequences. It was finally ended completely in 1920.